The Making of the Awadh Culture

AUTHOR- Madhu Trivedi

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INFORMATION

  • AUTHOR : Madhu Trivedi
  • HB ISBN : 978-81-908918-8-2
  • PB ISBN: 978-93-80607-78-8
  • HB Year : 2010, PB Year : 2013
  • Extent : xii + 314 pp. + 32 colour plates
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Narratives of Indian Cinema

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INFORMATION

  • AUTHOR – Madhu Trivedi
  • ISBN – 978-81-908918-8-2
  • Year – 2010
  • Extent: 400 + 40 coloured illustrations
  • 10% discount + free shipping
  • Usually dispatched within 3 to 5 working days.

This book’s strength lies in its profound deployment of evidence scattered in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as of the performance traditions and craft techniques which are derived from the period. It also discusses how under the fostering care of the nawâbs, Awadh came to epitomize all that was magnificent, refined, and cosmopolitan, and Lucknow emerged as a cultural node during the nineteenth century.
It also traces how the rulers of Awadh presided over the creation of the Shi’a heritage in northern India which had strong associations with Indian cultural traditions.
Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture, and the industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour due to the interaction between Europeans and the Awadh elite, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamunî tahzîb that represented Persian aesthetics and Indian cultural values, remained intact.

The Author
Dr Madhu Trivedi is Associate Professor in the Department of History, School of Open Learning, University of Delhi. She has published several papers on art and culture, especially on the history of musical arts, in medieval north India.

‘This well researched work is indeed a significant and valuable contribution to the real of knowledge and could be apt spring board for further researches in socio-economic and cultural history. The presentation of the book is praiseworthy. The lucid and convincing language makes the book all the more an interesting reading.’— PRODEEP KUMAR GHOSH, Summerhill

This book’s strength lies in its profound deployment of evidence scattered in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as of the performance traditions and craft techniques which are derived from the period. It also discusses how under the fostering care of the nawâbs, Awadh came to epitomize all that was magnificent, refined, and cosmopolitan, and Lucknow emerged as a cultural node during the nineteenth century.
It also traces how the rulers of Awadh presided over the creation of the Shi’a heritage in northern India which had strong associations with Indian cultural traditions.
Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture, and the industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour due to the interaction between Europeans and the Awadh elite, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamunî tahzîb that represented Persian aesthetics and Indian cultural values, remained intact.

The Author
Dr Madhu Trivedi is Associate Professor in the Department of History, School of Open Learning, University of Delhi. She has published several papers on art and culture, especially on the history of musical arts, in medieval north India.

‘This well researched work is indeed a significant and valuable contribution to the real of knowledge and could be apt spring board for further researches in socio-economic and cultural history. The presentation of the book is praiseworthy. The lucid and convincing language makes the book all the more an interesting reading.’— PRODEEP KUMAR GHOSH, Summerhill

Table of Contents

Table of Contents

List Of Illustrations viii-x
Preface xi-xii
Introduction 1-10
Capital As Cultural Centre 11-40
Awadh: Crucible Of Shi‘A Culture In Northern India 41-70
The Literary Culture 72-107
Musical Arts 108-144
Awadh Painting 145-170
Nawabi Architecture 171-225
Industrial Arts 226-285
Bibliography 287-304
Index 305-314