Oceanscapes: Tamil Textiles in the Early Modern World

EDITOR – S. Jeyaseela Stephen

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INFORMATION

  • EDITOR : S. Jeyaseela Stephen
  • HB ISBN : 978-93-80607-57-3
  • Year : 2014
  • Extent : 706 pp.
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Tagore

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  • AUTHOR –
  • ISBN – 978-93-84082-78-9
  • Year – 2016
  • Extent: 400 + 40 coloured illustrations
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This book traces the global diffusion of woven, painted, printed, and dyed cotton Tamil textiles during the sixteenth and eighteenth centuries. This occurred not only because of the skills of Tamil weavers and dyers, but also because of the political and economic compulsions in the various regions it travelled. These resulted in an exchange of technical and technological knowledge of textile production between the Tamil coast and Europe. Consequently, this book examines the long-term economic history of the Tamil region through the lens of textiles and provides not only an extensive and quantitative analysis of the types of textiles traded, but also examines the movement of precious metals, the process of monetization, and the struggle between the Portuguese, Dutch, English, French, Armenian, Tamil, and Telugu traders. Adopting Braudel’s approach, it breaks new ground by looking at changes and continuities in the Tamil textile economy, society, and technology as an integral phenomenon, thus rescuing history from becoming region or nation-centric and elevating its status to the global.

The Editor
S. Jeyaseela Stephen is Directeur, Institut pour études Indo-Européennes. He was Professor of Maritime History (2001–13) at Visva-Bharati University, Santiniketan. His publications include Portuguese-Tamil Grammar: Modernisation and Democratisation of Tamil (2001); Portuguese, the Armenians and the World of Art and Architecture on the Tamil Coast (2008); Caste, Catholic Christianity and the Language of Conversion: Social Change and Cultural Translation in Tamil Country, 1519–1774 (2008); Expanding Portuguese Empire and the Tamil Economy: Sixteenth–Eighteenth Centuries (2009); and The Sky of Indian History: Themes and Thought of Rabindranath Tagore (2010)

As a global figure, Tagore transcends the boundaries of language and reaches out to people distant both in time and space. His art took inspiration from contemporary Western trends and became a powerful means to connect with people beyond Bengal. Word, image, song, and text were his tools of communication, as also his extraordinary presence in a sartorial garb of his own design. A littérateur in many genres, the impact of his work was determined both by the material he presented, and by its simultaneously local and global contexts. Now, when his international reputation has spanned over more than a hundred years, it is important to revisit the sites of Tagore’s eminence, and ask to what extent he was a ‘living text’ in the century that witnessed him as a global intellectual.
Accordingly, this volume investigates how Tagore’s writings and art are linked to the metalinguistic domains of the psychological, medical and mythical; how he was received in various cultures outside India; how his art was determined by individual circumstances and global aspirations; and how he acted as an inspiration to his contemporaries and subsequent generations including modern Indian writers and artists.

The Editor
Imre Bangha studied in Budapest and Santiniketan and at present is Associate Professor of Hindi at the University of Oxford. He has published books and essays in English, Hindi, and Hungarian on literature in Brajbhasha and other forms of old Hindi and has also prepared Hungarian translations from various South Asian languages. His work on the international reception of Bengali culture includes Rabindranath Tagore: Hundred Years of Global Reception (2014, co-edited with M. Kämpchen) and Hungry Tiger: Encounter between India and Central Europe (2007).